Rendering 8

The article I'm going to render came from the Washington Post under the title "At the Kennedy Center, Malavika Sarukkai tells story of the Ganges and its people". The article was written by a reporter and Web editor for Capital Business Sarah Halzack and was published on March 31.

The whole article was centred round classical Indian dancer Malavika Sarukkai in her evening-length work “Ganga — Nitya Vaahini — The Eternal River,” in which Sarukkai sought to sketch the place the river occupies in her heart and in her country’s national psyche.

Throughout the article, the author's attention was focused on the unrestrained, unstinting praise of Sarukkai's dance which was deeply imbued with spiritual and cultural meaning and which embodied the richness of India’s history and the challenges of its present and future.

Sarah Halzack started by telling the reader that it was a formidable undertaking to craft and perform a work of such broad scope, but in the performance at the Kennedy Center on Friday, Sarukkai proved she was more than up to the task.Sarukkai transitioned into and out of several characters, including a pair of young lovers, an old woman coming to grips with the death of her son and a priest performing a ritual . Her delivery made each movement, each posture and each glance feel essential.

In conclusion of the article, Sarah put an accent again on the unforgettable, impeccable Sarukkai's performance.

To my mind, this article really puzzled me from the very beginning till the end. I found it well-planed, logically-constructed, skillfully-built. Having read the article, I deeply desired to make this wonderful performance with my eyes and feel essential.